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类型【址:a g 9 559⒐ v i p】1:大卫·弗里曼 大小:JvvEVpm997448KB 下载:TwjuJYOf97281次
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日期:2020-08-07 20:32:37

1.【址:a g 9 559⒐ v i p】1  Aloft to you we would mount with glee! We wash, and free from all stain arewe, Yet barren evermore must be!
2.  Altmayer
3.  Spirit of contradiction! Lead! I'll follow straight! 'Twas wisely done, however,to repair On May - night to the Brocken, and when there By our own choiceourselves to isolate!
4.  Why let this thought your soul o'ercast? Can man do more than with nice skill,With firm and conscientious will, Practise the art transmitted from the past? Ifthou thy sire dost honour in thy youth, His lore thou gladly wilt receive; Inmanhood, dost thou spread the bounds of truth, Then may thy son a highergoal achieve.
5.  Such a commission scares me not, I can provide such treasures, it is true; But,my good friend, a season will come round, When on what's good we mayregale in peace.
6.  Who's that, pray?


1.  Dost comprehend what bliss without alloy From this wild wand'ring in thedesert springs? Couldst thou but guess the new life - power it brings, Thouwouldst be fiend enough to envy me my joy.
2.  A Drinking Party
3.  This entity's a dreadful bore, And cannot choose but vex me; The groundbeneath me ne'er before Thus totter'd to perplex me.Supernaturalist
4.  What may occur just bear in mind! A fortnight's space, at least, I need, A fitoccasion but to find.
5.  Oh, be so good, With sweat and with blood The crown to lime!(They handle the crown awkwardly and break it in two pieces, with whichthey skip about.)
6.  Mephistopheles


1.  His lofty step, His bearing high, The smile of his lip, The power of his eye,His witching words, Their tones of bliss, His hand's fond pressure And ah -his kiss! My peace is gone, My heart is sore, I find it never, And nevermore.My bosom aches To feel him near; Ah, could I clasp And fold him here!Kiss him and kiss him Again would I, And on his kisses I fain would die.Martha's Garden
2.  Like any Frenchman now you speak, But do not fret, I pray; why seek Tohurry to enjoyment straight? The pleasure is not half so great, As when at firstaround, above, With all the fooleries of love, The puppet you can knead andmould As in Italian story oft is told.
3.  Promise me, Henry!
4.  Others
5.   There must be some disorder in thy wit! To rave thus like a madman, is it fit?Mephistopheles
6.  (To Faust, who has left the dance.)


1.  You deepen my dislike. The youth Whom you instruct, is blest in sooth! Totry theology I feel inclined.
2.  She has graz'd my side, Look at the wounds, how deep and how wide!Witches (in chorus)
3.  The greatest and most representative expression of Goethe's powers iswithout doubt to be found in his drama of "Faust"; but before dealing withGoethe's masterpiece, it is worth while to say something of the history of thestory on which it is founded - the most famous instance of the old andwidespread legend of the man who sold his soul to the devil. The historicalDr. Faust seems to have been a self-called philosopher who traveled aboutGermany in the first half of the sixteenth century, making money by thepractise of magic, fortune-telling, and pretended cures. He died mysteriouslyabout 1540, and a legend soon sprang up that the devil, by whose aid hewrought his wonders, had finally carried him off. In 1587 a life of himappeared, in which are attributed to him many marvelous exploits and inwhich he is held up as an awful warning against the excessive desire forsecular learning and admiration for antique beauty which characterized thehumanist movement of the time. In this aspect the Faust legend is anexpression of early popular Protestantism, and of its antagonism to thescientific and classical tendencies of the Renaissance.While a succession of Faust books were appearing in Germany, the originallife was translated into English and dramatized by Marlowe. English playersbrought Marlowe's work back to Germany, where it was copied by Germanactors, degenerated into spectacular farce, and finally into a puppet show.Through this puppet show Goethe made acquaintance with the legend.By the time that Goethe was twenty, the Faust legend had fascinated hisimagination; for three years before he went to Weimar he had been workingon scattered scenes and bits of dialogue; and though he suspended actualcomposition on it during three distinct periods, it was always to resume, andhe closed his labors upon it only with his life. Thus the period of time betweenhis first experiments and the final touches is more than sixty years. During thisperiod the plans for the structure and the signification of the work inevitablyunderwent profound modifications, and these have naturally affected the unityof the result; but, on the other hand, this long companionship and persistentrecurrence to the task from youth to old age have made it in a unique way therecord of Goethe's personality in all its richness and diversity.The drama was given to the public first as a fragment in 1790; then thecompleted First Part appeared in 1808; and finally the Second Part waspublished in 1833, the year after the author's death. Writing in "Dichtung undWahrheit" of the period about 1770, when he was in Strasburg with Herder,Goethe says, "The significant puppet - play legend . . . echoed and buzzed inmany tones within me. I too had drifted about in all knowledge, and earlyenough had been brought to feel the vanity of it. I too had made all sorts ofexperiments in life, and had always come back more unsatisfied and moretormented. I was now carrying these things, like many others, about with meand delighting myself with them in lonely hours, but without writing anythingdown." Without going into the details of the experience which underlies thesewords, we can see the beginning of that sympathy with the hero of the oldstory that was the basis of its fascination and that accounted for Goethe'sdeparture from the traditional catastrophe of Faust's damnation.Hungarian March from the "Damnation of Faust"Op.24 by HectorBerlioz(1803 - 1869).
4、  What thus I hear Sounds plausible, yet I'm not reconciled; There's somethingwrong about it; much I fear That thou art not a Christian.Faust
5、  Mephistopheles




  • 穆念慈 08-06

      A walk to Wasserhof were best.

  • 石英岩 08-06

      Now field and meadow I've forsaken; O'er them deep night her veil dothdraw; In us the better soul doth waken, With feelings of foreboding awe, Alllawless promptings, deeds unholy, Now slumber, and all wild desires; Thelove of man doth sway us wholly, And love to God the soul inspires.Peace, poodle, peace! Scamper not thus; obey me! Why at the thresholdsnuffest thou so? Behind the stove now quietly lay thee, My softest cushion tothee I'll throw. As thou, without, didst please and amuse me Running andfrisking about on the hill, So tendance now I will not refuse thee; A welcomeguest, if thou'lt be still.

  • 燕红君 08-06


  • 林义雄 08-06

      If she should get him, 'twere almost as bad! Her myrtle wreath the boyswould tear; And then we girls would plagued her too, For we chopp'd strawbefore her door would strew!

  • 孟敏 08-05

    {  (He kisses her hand.)

  • 靳彦丽 08-04

      If nature boon, or subtle sprite, Endow your soul with pinions; Then follow toyon rosy height, Through ether's calm dominions!Orchestra (pianissimo)}

  • 余某某 08-04

      Alone old Baubo's coming now; She rides upon a farrow sow.Chorus

  • 王一宏 08-04


  • 俞敏洪 08-03

       Let me alone! O'er a full glass you'll see, As easily I'll worm their secret out,As draw an infant's tooth. I've not a doubt That my two gentlemen are noblyborn, They look dissatisfied and full of scorn.Brander

  • 吴汉林 08-01

    {  The way is broad, the way is long; What mad pursuit! What tumult wild!Scratches the besom and sticks the prong; Crush'd is the mother, and stifledthe child.

  • 石祥路 08-01

      Witches; old and young; Wizards, Will - o' - the - Wisp,Witch Pedlar,